Air
Personalities
Morning
Shows
News
Guys
Money
Girls
Program
Directors
General
Managers
Sales
Types
Engineers
Other
Alumni
The
Good Guys Today
Radio
Heaven
Alumni
In The News
Alumni
Speak!
A
Brief History
Newspaper
Articles
Print
Advertisements
Press
Releases
Ratings
Like You Wish!
Weekly
Playlists
Photos
- People
Photos
- Promotions
Station
Logos
Bumperstickers
Airchecks
Newscasts
Sports
Reports
Traffic
Reports
Sound
Offs!
Commercials
Promos
Sweepers
Jingles
Misc.
Audio
Beatlemania
Collectibles
Contesting
Promotions
Sales
Related
Engineering
Stuff
WPGC
Sister Stations
The
Great Strike
Market
Competition
Other
Radio Tribute Sites
Oldies
Stations Today
Legendary
Air Performers
Special
Thanks
Mailbag
Home
Server
space provided by:
Click
above to hear more vintage broadcast radio airchecks from the
Reel Radio Repository.
Your
tax-deductible contribution to
REELRADIO,
Inc.
will help keep this site online
This
site is in no way affiliated with WPGC Radio
today, or with
CBS Radio, Inc.
Click
above to visit WPGC today.
|
Dedicated in memory
of Jim
Collins
Ed
Walker in 1954 |
Ed
Walker was one of the first Air
Personalities on WPGC just six weeks after it signed on
the air from a farm on the edge of Morningside near District
Heights. In the interview
below, he recalls working at the station for exactly two years
from June 4, 1954 to June 4, 1956. His illustrious career included
stops at many notable Washington area stations including WOL,
WWDC and WMAL, but he is most fondly remembered for his work
with Willard Scott as 'The
Joy Boys' at WRC.
Ed's
final WAMU
broadcast aired on 10/25/15. Three hours later, he passed on
to that great transmitter in the sky. He was a true friend of
this site, providing much information about the earliest days
of the station. Without his help, the WPGC sudios and offices
location in Hyattsville from 1954-1956 might never have been
found.
More
on Ed's career can be found at the Washington
Post.
Marty
Dempsey writes:
When
I was 16 or 17 years old, I drove out Brookville road in Silver
Spring, Maryland , Home of the WWDC Studios and Towers, I walked
into the old stone building, The receptionist was not at her desk,
So Iwandered down the steps, right into the studio area. The Engineer
who was running the board for the "Joy Boys", asked
me if I knew who those two guys were in the next studio. I gazed
through the glass and saw two gentlemen laughing as they were
doing a "bit" on the air, It was Willard Scott and Ed
Walker performing magic right in front of me!
Ed had a variety of REAL Sound effects they used, like a little
wooden box that he would knock on and it sounded exactly like
a door, that opened. That inspired me so much I'm proud to say
I was working on the air in that stone building just a couple
years later!
I
keep that inspiration with me everyday.
Jack
Rabbit remembers:
Ed
will surely be missed as a wonderful guy and a great talent .
I was born and raised in DC. I grew up listening to Walker and
Scott on WRC. They were icons.
After
I left WPGC, one of my stops was WLMD, Laurel. I had the great
pleasure of getting to know Ed Walker who was doing a talk show
at WLMD shortly after Willard Scott and Ed disbanded as the Joy
Boys of radio on WRC. Willard went to do weather at NBC TV New
York. Ed Walker was the real deal, personable and very talented.
He was an inspiration.
Davy
Jones recalls:
I
knew Ed from the AFTRA days, he was a great guy, a true friend
an ultimate professional and an elegant gentleman.
From
Radio-Info.com:
Ed
Walker, inducted in the Radio Hall of Fame in Chicago
Blind
jock Ed Walker tells Willard Scott my only handicap was
working with you. Ed and Willard, who met at American
University, were the "Joy Boys" first at Washington's
WOL and then WRC and WWDC. Scott left to pursue TV fulltime
in 1974, and Ed worked at WPGC-AM, WMAL and the later WWRC.
It says something about his talent and attitude that the congenitally-blind
Walker did TV at WJLA (1975-1980) and News Channel 8 in the
early 1990's.
The
affection that "Today Show" legend Willard
Scott has for Ed was evident from the moment he stepped onto
the podium during the live broadcast. Willard recalled the time
the local Jaycees contacted Ed and asked if hed like to
judge a beauty contest. (Willard joked, any young lady
here tonight like to get judged in Braille?)
Ed
Walker told how he used to handle delivering a five-minute newscast
at WPGC by listening to a rival station that subscribed to the
same news service and memorizing it but he got crossed
up one day when the station threw on a religious program instead.
The
following is an excerpt from an interview with Ed conducted
by a student at the University of Maryland from April, 1974
in which they discussed his days at WPGC:
An
Interview With Radio Announcer Ed Walker
Conducted
by David L. Carter
For
University of Maryland Oral History Seminar
(Dr.
Donald Kirkley, Jr.) and Broadcast Pioneers Library, April 1974
Source:
Library of American Broadcasting, University of Maryland Libraries
L.A.B.
Audio Transcript # 410
My
name is David Carter. The following is an interview with radio
announcer Ed Walker. The interview is taking place in Mr. Walker's
office at WWDC Radio in Silver Spring, MD. Today is April 20th,
1974.
"...I
got a job in 1954 at a brand new radio station called WPGC..."
Q
Was WPGC in the Top-Forty format then?
A
Well, they certainly werent as into it as they
are now. They werent as polished. Radio wasnt quite
as frantic in those days as it is now. We were playing the contemporary
music. I guess you would call it Top-Forty, but we were playing
all the big hits of that day The Crew Cuts and The McGuire
Sisters, and all of the groups that were very popular. They
didnt have the production aids and things that people
use today, the jingles and stuff like that. We were just getting
into that in broadcasting.
Q
You moved from WPGC to
WRC. What
year was that?
A
Well, I actually worked at both stations for a period
of time. I started at WPGC on June 4, 1954, and in 1955, in
March I think it was, Willard called me up and said, Ive
got permission for you to audition with me. He had a little
record show then in the evening, and he said, Theyre
going to let you do an on-the-air audition for two days.
So we did that, and they taped it, and I never heard anything
from the station. And I thought, well, it must not have gone
over too well. This was in March, and in July 1955, I get a
call that they wanted to talk to me at NBC. It took them all
that time. They work very slowly.
Then
they hired me for a half-hour a day to work with Willard doing
a half-hour show, which wasnt a living, you know. So I
got permission to stay on at WPGC and do both shows as sort
of a trial thing, and I continued that from July 1955, until
November 1956. Now let me get my facts straight. I left WPGC
in June of 1956. I was there two years to the day, and then
I did some summer work at WRC that summer, and then Willard
went into the Navy, and then I inherited his afternoon show."
Q
- Did you ever have any experiences with, perhaps, on the spot
news reporting or sports cast?
A
- Yes. Well, I've never done a sports cast, but I used to
try to do the news because of the situation wherever I worked.
I think you know the story, don't you? When I worked at WPGC,
I worked Sunday afternoons my first few months there, and there
was nobody else at the station except a high school girl who
answered phones and took down people's addresses. We used to
have these commercials where we were selling records and rebuilt
vacuum cleaners, and people would call in. It was called a P
I deal, a per inquiry deal. The station was paid by the number
of inquiries they received. They would not let her do the news.
They
said, "You've got to do the news on the hour". So
I had been working on this system in college, anyway, where
I would wear a pair of earphones and listen to someone reading
the news; and I would repeat it about a half a sentence behind
them just as a court reporter does with a stenomask machine.
I had worked out this system where I found another station that
used the same wire service and had sold the time check on the
hour, and they always started their news on time. So I would
just back-time myself to come out the same time they were; and
I'd put on my earphones and listen to this guy read the news;
and I'd follow him substituting my call letters wherever his
were given; and it was perfectly okay because I was reading
the same copy that we would be getting on our wire service anyway.
I
got fairly proficient at this. Then one Sunday I put on my earphones
ready for the news, and I heard, "from Long Beach California
- the Old Fashioned Revival Hour is on the air". Well,
they had sold the time; and I didn't know it; and so there I
stood with egg all over my face and rattled my pages and said,
"Due to technical difficulties", which is the big
out, "our teletype machine is not working properly, and
we will be unable to bring you the news at this time".
And that ended my illustrious news career.
Print
Materials
Articles
Miscellaneous
Audio
The
following are excerpts from an interview recorded in
studio 'S' at 95.5
KLOS, Los Angeles on Friday, February 29th, 2004.
|
Small
Print Dept.:
This non-profit historical site
is not affiliated in any way with WPGC Radio today or CBS Radio,
Inc. Use of copyrighted material is consistent with the "fair
use" provisions contained in §107 of the Copyright Act
of 1976 due to the following characteristics: Use of copyrighted
material is of a nonprofit, educational nature, intended for the
sole purposes of research and comment and does not significantly
negatively affect "the potential market for or value of the
copyrighted work(s)." Use of registered trademark material
is not subject to civil action or injunction as outlined in §1114
and §1125 of the Trademark Act of 1946 (the Lanham Act) due
to the following characteristics of this work, and the registered
marks published herein: Use of reproductions of registered marks
is not for the purpose of commerce, nor is the use connected with
the sale, offering for sale, or advertising of any goods or services.
Use of reproductions is not likely to cause confusion, mistake,
or deception as to the affiliation, connection, or association of
this work with owners of published registered marks, nor as to the
origin, sponsorship, or approval of this work by owners of published
registered marks. Wherever possible, the copyright or registered
mark owner's name has been noted near the copyrighted work or registered
mark; however, all material used in this site, including, but not
limited to, newspaper articles, syndicated themes, promos, commercials,
photographs, playlists, press releases, ratings, airchecks, newscasts,
traffic reports, sports reports, 'sound-offs', sweepers, bumperstickers
and station logos, should be considered protected copyrighted material
or registered mark with all rights reserved to the owner, named
or unnamed. So there!
|
|